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・ Mediterranean scaldfish
・ Mediterranean School of Business
・ Mediterranean Science Commission
・ Mediterranean Sea
・ Mediterranean sea (oceanography)
・ Mediterranean shearwater
・ Mediterranean Shipping Company
・ Mediterranean Social Forum
・ Mediterranean spearfish
・ Mediterranean Sports Palace
・ Mediterranean Squadron
・ Mediterranean Squadron (United States)
・ Mediterranean States
・ Mediterranean Steps
・ Mediterranean Style House
Mediterranean Sundance
・ Mediterranean Tales
・ Mediterranean Technology Park
・ Mediterranean Theater
・ Mediterranean Theater of Operations
・ Mediterranean Theatre
・ Mediterranean tortoise
・ Mediterranean tree frog
・ Mediterranean tropical-like cyclone
・ Mediterranean U-boat Campaign (World War I)
・ Mediterranean U-boat Campaign (World War II)
・ Mediterranean Universities Union
・ Mediterranean University
・ Mediterranean water shrew
・ Mediterranean woodlands and forests


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Mediterranean Sundance : ウィキペディア英語版
Mediterranean Sundance

"Mediterranean Sundance" is the third track on ''Elegant Gypsy'' (1977), the second album by Al Di Meola. This piece and "Lady Of Rome, Sister Of Brazil", are the only two entirely acoustic tracks on the album. However, unlike "Lady Of Rome, Sister Of Brazil" which is an acoustic solo by Di Meola, "Mediterranean Sundance" consists of an acoustic guitar duet with flamenco guitarist Paco de Lucía. With a duration of 5' 13", the song is a complex blend of jazz and flamenco influences.〔(Musicfolio.com - Reviews & Recommendations )〕
==Composition==
Set in 4/4 time and in the key of E minor, the song begins with a duet between Di Meola and de Lucía and then progresses to feature each guitar player taking turns playing rhythm and soloing, and occasionally soloing together.
The song consists of a relatively simple lyrical harmonic progression, adorned by a flamenco rhythm. However, it poses extreme difficulties to the performers, because of the speed and precision required of Di Meola's picking on the steel-stringed guitar, playing extremely long melodic phrases, and to Paco De Lucia's complex fingerpicking on the Flamenco guitar, as well as the exact matching of Di Meola and De Lucía's solos which frequently consist of them both playing a rapid set of matching or corresponding notes. They resort to many guitar performance techniques and fingerstyles, such as drumming guitar tops, strumming (both solo and together), bare thumb plucking, palm muting, tremolo picking, hammer-ons and pull-offs, sweep picking, shredding, vibratos and glissandos. The song was a success.〔( MSN Music Critic's Review )〕〔( Billboard Magazine chart listing for the week of Nov 05, 1977 )〕 A slightly shorter version of it was included on the November 1996 album ''Pavarotti & Friends for War Child'' (Track 15).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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